“Being apart was wrong. Simply lying side by side did more for a relationship than words. A warm bed, a nest of animal intimacy. Words could be misunderstood, whereas loving companionship bred trust.”
Michel Faber, The Book of Strange New Things
“I would rather die of passion than of boredom.”
Vincent van Gogh
Mindy Solomon Gallery is proud to present the works of Danny Ferrell, Hiba Schahbaz, and Sophia Narrett. Embracing an aesthetic stimulated by love, intimacy, and sensuality, each artist combines their own personal narrative within the genre of figurative art.
Danny Ferrell creates warmly filtered images of men and their pets. His work suggests male vulnerability that belies the stereotype of the masculine, insensitive man. Ferrell’s sunrise palette evokes a sense of innocence and spirituality, inspired by the dawn of a new day.
Ferrell writes of his work:
I grew up in rural Pennsylvania, in a small town of no more than a few thousand residents. Deeply conservative, most placed religion above all other virtues, and anyone deviating from religious law was treated as a herald of immorality. I was a man whose love for other men violated the cultural norms, forcing me to conceal my personal life from others in the public sphere, often causing severe feelings of guilt and alienation.
My paintings represent fantasies and fears about the ‘Other’ through depictions of the everyday queer male. Working within the tradition of the Cadmus Circle and Hudson River School, I perch the figure on the edge of the quotidian, where lush landscapes, colorful gradients and intricate patterns interact to create a ‘magic reality’ that is both ordinary and extraordinary. A formal and conceptual tension is at play, which is structured by ever-present dichotomies: public/private, nature/culture, taste/ kitsch, transparency/opacity. Loosely based on my own relationships, experiences, and imagination, my work functions like a daydream, where memory and longing shape a personal fiction.
Recently, I have been gesturing to the vast canon of European royalty painting by blending the epic and banal in painted images of gay men and their dogs. This combination quotes the pageantry of that history – their rich garb and over-the-top landscapes – and in so doing, elevates queer bodies from second class, to royal class.
Hiba Schahbaz utilizes impressions of herself and a region of women as the subject of her work. The female figure is a metaphor for the sensuous odalisque beckoning the viewer with her exotic beauty. Schahbaz opines about her practice:
I speak an ancient language in a contemporary feminine voice. Trained in the centuries-old traditional Indo-Persian painting technique, working with imagery developed by men to tell the stories of antiquity, I aim to challenge the inflexible rules of miniature painting and recontextualize the art form to accept and embrace a female perspective.