RECEPTIONSATURDAY, SEPTEMBER 7, 6 – 9 PMTHE ARTISTS WILL BE PRESENT
Group Exhibition
I find it interesting that I am so often drawn to the work of California artists. Is it because of the light? The vegetation? Perhaps it is the magic of Hollywood, fields of vines, giant, majestic redwoods, or being one of the epicenters of political and social change. I suppose the real reason is the quality of the work.
Ali Smith and David Hicks both live in California. Educated at California State University Long Beach, David was and undergraduate while Ali was pursuing her Master of Fine Arts degree in painting. Like ships passing in the night, neither would know until much later that they would find themselves exhibiting together on the other side of the country. Ali Smith writes about her current body of work:
“My new paintings are a culmination of several years of working in a slow, deliberate manner, often creating vast layers of paint that build up over time. Evoking multi-layered maps, wastelands or invented landscapes, I use intuitive doodles, ornamentation and dramatic scale shifts to lure the viewer in. Each painting holds together as a complex unit, simultaneously built, constructed, woven or erased, to create a complex, abstract language.”
Using vivid color and a hybrid language of painting, I often merge drawing and painting; a more sculptural slab of paint might reside in the same space as a quickly drawn line. Within my work, I am attempting to sort through the visual and cultural clutter I encounter on a daily basis, and make something meaningful from it. I tend to work in groups of paintings rather than series, where each painting might have a very different identity from the next, almost like a single song on an album, and each individual painting has its own set of rules.
While I draw on a broad range of references, I have long been interested in the question of what it means to be a female painter employing the language of abstraction, and how one might challenge and bring a sense of invention to current painting.”
David Hicks also ponders the real and invented in his works.
“In coming to an explanation of where my art originates in my studio process; I personally struggle. It is not an easy process for me formulate a written response about my work. Over the years I have found it increasingly difficult to opine about the romance of the studio and come to some poignant collection of words that defines why I do what I do. I am an echo of my surroundings. My concepts of beauty are defined by my daily journey. In order to explain I’ve created a small poem called Directions Home.”
Take a left at the Almond orchard. Drive for two miles
Keep going past the water reservoir and you’ll see the crops change to Corn,
get ready to turn. Hang a right at the giant stack of hay bails.
7 miles of Cornfields and Cow Dairies, then you’ll hit the Freeway into Visalia.
Almost home.
Inspired by light and life, Ali Smith and David Hicks’ exhibition will create a sense of place while igniting the imagination.
About the Artists
David Hicks is an artist currently living and working in North Carolina. Hicks’works, drawing inspiration from nature and agricultural products, examines the formal qualities of plans and organic forms common to the American landscape. Hicks holds a BFA from the California State University in Long Beach, and in 2006 he completed his MFA at Alfred University in New York. Hicks exhibits his work throughout the United States and abroad, and is included in many permanent collections including the Permanent Collection of the World Ceramic Exhibition in South Korea, the United States Embassy Art Collection and the American Museum of Ceramic Art.
David Hicks is just beginning to understand the attraction he has to the agricultural. The shapes and themes he references can be found in the fields surrounding his home. Forms that could be hanging from trees, buried in the dirt or rusting in the shed, find their way into his work. He has a fundamental understanding of these organic and sometimes mechanical forms. They seem to be autobiographical and they explain the natural processes of agricultural cycles. In the agricultural world, there are cycles that feel like allegorical references to a human struggle, a struggle that starts with fertilization, moves through growth and finally ends in decay. This process is raw and connected to my understanding of self.
Ali Smith (b. 1976, Newport Beach, CA) uses the canvas as an open space of exploration; an empty landscape that serves as the starting point for investigation into abstract terrains. Her work illustrates the existential plight the artist has in finding new, personal meaning and direction within the field of abstract painting. The recurring visual trope of Rococo-like excess and abundance performs a celebratory re-assertion of the endless possibilities available to the painter. Smith weaves together fleeting thoughts, moments of time, the fine lines between fact and fiction and subjective desires within her canvases, which in turn present the hopeful attitude of the artist, in the face of the realities of life and experience.
Smith received her MFA from California State University, Long Beach (CA), and has since had solo exhibitions in New York, Houston and Los Angeles. She has been included in numerous group shows, including those at the Laguna Art Museum (CA), Irvine Fine Arts Center (CA), Center for the Arts, Eagle Rock (CA), and Riverside Museum (CA). Her work is included in the collections of the Laguna Art Museum (CA), Frederick R. Weisman Foundation (CA), Progressive (OH). The artist lives and works in Long Beach, CA.
