Mindy Solomon Gallery has a slick selection of works that seem very naive and childish on the first approach. Super Future Kid and Benjamin Cabral work in response to digital formats using “analog” materials (paint and beads respectively). Lynda Draper‘s glazed ceramics are (to use the technical term) batshit kooky, with vaguely organic forms and body parts and turrets mushed together in pareidolic play.
Donté Hayes: The Artists Everyone Talked about during Frieze